Darling DeVille

Darling DeVille's take on 'The Bride of Frankenstein'. This act is a camp, theatrical burlesque reimagining of the iconic Bride of Frankenstein, blending classic horror aesthetics with a gritty, grunge soundtrack. It begins in near darkness, with the low hum of the soundtrack and with a stark flash reveals the bride’s silhouette on a laboratory slab... rigid, lifeless, wrapped in bandages. As the music kicks in, she jolts to life in sharp, unnatural movements. Her physicality is intentionally jerky and disjointed at first, evoking a freshly reanimated body learning how to exist. With each beat, she gains more control, shifting from mechanical to sensual, from monster to performer. The costuming begins as a traditional Bride of Frankenstein homage: towering black-and-white hair, bandage wrappings, and a dramatic gown. As the act progresses, she begins a slow, deliberate striptease, peeling away bandages and layers like she’s shedding the expectations imposed on her creation. Each reveal is both seductive and slightly grotesque, playing with the tension between beauty and horror. Moments of camp are woven throughout with knowing glances, exaggerated poses, and playful subversions of horror tropes, ensuring the act never loses its theatrical wink to the audience. Think classic burlesque tease layered with a tongue in cheek macabre edge. By the climax, she has fully transformed... no longer the passive “bride,” but a powerful, self-possessed creature. The final costume reveal contrasts the initial innocence and is now something bold, dark, and unapologetically sensual. The act ends with her embracing her identity, striking a commanding final pose as the music crescendos, reclaiming her narrative from creation to autonomy.

This review from Adelaide Insider says it perfectly: Floating in from the shadows like a shooting star slipping across the night sky, Darling DeVille brings a touch of cosmic glamour to The Ritual with her solo development act, set to Planet Caravan by Pantera. With all the cool elegance of a classic showgirl, she moves like smoke, trailing a black tulle boa behind her as her silhouette catches the stage lights like a mirror ball in deep space. She strips off each glove with delicious precision before unzipping her glittering floor-length skirt, revealing a matching black and silver three-piece lingerie ensemble underneath. Her floorwork is old-school burlesque perfection: a sensual, smoky bump-and-grind performed atop her tulle boa, blending classic tease with astral mystique. Hiding behind the boa for her reveal, she unclasps her top to unveil striking teardrop-shaped black pasties, dripping in rhinestones. She exits through the audience like a walking constellation, leaving a trail of glitter and intrigue in her wake.

We would like, if we may, to take you on a strange journey. Join Darling DeVille, Polly Esther Pantomime and Evie Eerie over at the Frankenstein place to celebrate their combined love of The Rocky Horror Picture Show. See what happens when three queer, alternative, ex theatre kids decide to give themselves over to absolute pleasure, and leave you shivering with antici…….. From bands, brawls and now burlesque, Darling is no stranger to the stage. With a taste for the theatrical and a deep love of the dark, she's a Darling in the Streets and a DeVille in the sheets. They may be called Polly Esther Pantomime, but there’s nothing artificial about them. A queer, camp icon “exuding androgynous glamour”, you will fall for Polly long before the final curtain. Evie is a glamour goth with curves to kill, a proud plus-size, disabled, queer woman, Evie brings her love for the strange and unusual into everything she touches. ……pation